Travel Vloggers and Travel Business – How to use online video

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I had a fascinating conversation with a mate’s son recently. He is 11 years old, a tween, and a big user of social media and youtube in particular. He told me of his favourite youtube travel channels, and in the process, opened my eyes to a whole next generation of travel vloggers. These Millennials grew up with computers and the internet, they understand social media better than anyone. And it is a joy to see that the dream to travel the world making money from video is now well and truly a career path.

I found a unique tool recently called the ‘Youtube Money Calculator‘ and thought it would be interesting to work out roughly what the top youtube travel channels actually earn from youtube ad revenue. To do this I set a medium cpm of $1.90 – $2.00 USD. Of course cpm’s will be higher at particular times of year, but if anything data shows cpm rates are not increasing. I used an average for the travel industry in the last 30 days.

lou

So let’s first look at the new crop of travel vloggers, who are really killing it with the tween and under 25 demographic:

funforlouis
Views for the Last 30 Days: 4,600,440 ( +7.01% )
$292.60 – $308.00
ESTIMATED DAILY EARNINGS
$8,778.00 – $9,240.00
ESTIMATED MONTHLY EARNINGS
$105,336.00 – $110,880.00
ESTIMATED YEARLY PROJECTION

jacksgap
Views for the Last 30 Days: 2,939,019 ( -23.65% )
$186.20 – $196.00
ESTIMATED DAILY EARNINGS
$5,586.00 – $5,880.00
ESTIMATED MONTHLY EARNINGS
$67,032.00 – $70,560.00
ESTIMATED YEARLY PROJECTION

benbrown100
Views for the Last 30 Days: 2,257,551 ( +20.15% )
$143.45 – $151.00
ESTIMATED DAILY EARNINGS
$4,303.50 – $4,530.00
ESTIMATED MONTHLY EARNINGS
$51,642.00 – $54,360.00
ESTIMATED YEARLY PROJECTION

migrationology
Views for the Last 30 Days: 1,423,158 ( +1.94% )
$90.25 – $95.00
ESTIMATED DAILY EARNINGS
$2,707.50 – $2,850.00
ESTIMATED MONTHLY EARNINGS
$32,490.00 – $34,200.00
ESTIMATED YEARLY PROJECTION

heynadine
Views for the Last 30 Days: 184,775 ( +18.90% )
$11.40 – $12.00
ESTIMATED DAILY EARNINGS
$342.00 – $360.00
ESTIMATED MONTHLY EARNINGS
$4,104.00 – $4,320.00
ESTIMATED YEARLY PROJECTION

But what about travel channels for an older demographic, how are they fairing?

jcvdude
Views for the Last 30 Days: 1,103,991 ( +29.55% )
$70.30 – $74.00
ESTIMATED DAILY EARNINGS
$2,109.00 – $2,220.00
ESTIMATED MONTHLY EARNINGS
$25,308.00 – $26,640.00
ESTIMATED YEARLY PROJECTION

ricksteves
Views for the Last 30 Days: 990,186 ( +45.28% )
$62.70 – $66.00
ESTIMATED DAILY EARNINGS
$1,881.00 – $1,980.00
ESTIMATED MONTHLY EARNINGS
$22,572.00 – $23,760.00
ESTIMATED YEARLY PROJECTION

hoosiertim
Views for the Last 30 Days: 846,021 ( -1.74% )
$53.20 – $56.00
ESTIMATED DAILY EARNINGS
$1,596.00 – $1,680.00
ESTIMATED MONTHLY EARNINGS
$19,152.00 – $20,160.00
ESTIMATED YEARLY PROJECTION

soniastravels
Views for the Last 30 Days: 535,842 ( +96.14% )
$34.20 – $36.00
ESTIMATED DAILY EARNINGS
$1,026.00 – $1,080.00
ESTIMATED MONTHLY EARNINGS
$12,312.00 – $12,960.00
ESTIMATED YEARLY PROJECTION

pdrop
Views for the Last 30 Days: 46,634 ( +61.30% )
$2.95 – $3.11
ESTIMATED DAILY EARNINGS
$88.63 – $93.30
ESTIMATED MONTHLY EARNINGS
$1,063.62 – $1,119.60
ESTIMATED YEARLY PROJECTION

So by looking at these figures we can see, that only the very top echelon of travel channels on youtube, are making any reasonable coin. For the others, it’s a hell of lot of work, for very little reward, when you also consider straight off the bat, google takes a hefty 45% cut!

The current top travel channel on youtube is funforlouis. His videos are positive, aspirational, daily and collaborative. He is very clever in that everywhere he goes, he collaborates with other top youtubers, thus getting introduced to their subscribers and vice versa.

From a production point of view I find his work fascinating. He uses small point and shoot cameras, which means he can pretty much shoot anywhere without attracting too much attention and he gets the soundtracks to his videos by approaching musicians on soundcloud and asking them to provide their tracks gratis. And if you watch a lot of the other travel vloggers videos e.g. Ben Brown, you’ll see they all have a fairly similar formula – longish videos that capture their daily life, driving, meals, coffee and adventures.

For someone who originally found ‘vlogging’ quite confronting, I’m amused by how easily the next wave take to talking to a camera, particularly when they ‘cockblock’ each other with duelling cameras capturing the same scene. Many of my generation (X) still find vlogging anodyne. Interesting that Vice should write such an article, given their previous held ‘new kids on the block’ status and recent rumours of lowly pay rates.

Getting back to my mate’s son, these channels show him that he too can circumvent traditional media employment avenues, which are pretty much drying up anyway, and with a camera, a positive attitude and a strong work ethic, explore the world! And the channels that are doing the best are the ones that sell this dream, showing viewers a lifestyle they too can aspire to!

But, as the figures above show, most travel vloggers really aren’t ‘living the dream’ and need to find other revenue avenues to survive on the road! Collaborations with travel business can provide this additional income and is a win/win situation for both parties. But what do business need to consider when preparing an online video marketing campaign?

Travel Business and Travel Vloggers – Perfect Match?

A travel brand or business looking at using travel video vloggers to help market their wares really need to first determine their own demographic. There is no point for example, for a luxury cruise company, to team with a travel vlogger, whose main demographic is 11 year old boys!

I think it is also important, despite the popularity of branded content, to make it very clear of any arrangements one has with travel vloggers. Recently biscuit brand Oreo learnt this the hard way, being rapped over the knuckles by the UK advertising watchdog.

If a travel vlogger features your product or business on their channel for payment, I don’t think a business has any right telling them how to do it! They know their viewers and would have the best idea what works. If a business or marketing manager has an idea for what they want done, a better option may be to get a video produced and set up their own channel.

Other options, doing video in-house

I recently helped initiate such a set up for Yealands Family Wines (New Zealands Wine Producer of the Year, 2014) They decided to branch into producing videos after hearing a talk from a California social media expert who stated a business must now operate like they are running their own magazine, keeping customers up to date with the latest products and happenings. Yealands decided to produce weekly videos, featuring their staff, talking about their wines, sustainability program and upcoming events. They found the videos provided another arrow to their social media quiver.

Yealands were never aiming for a viral video hit! They wanted to produce a lot of content, showing viewers who they were and how they did things differently. Many of the videos like the one featured, have a long shelf life, whereas others, such as yearly tasting notes, can be updated fairly easily.

I think this is a clever way to run a video campaign, to not just put your eggs all in one basket, but to produce numerous videos.

So whether you decide to go it alone, hiring a videographer to produce videos for you, or use one of the current crop of travel vloggers, a lot can be learnt from the successful travel channels;
post regularly, stick to a formula, collaborate with others e.g. related businesses, be cheerful and keep it fun!

The Great Firewall of China

The Great Firewall of China

Overlander.tv are heading to China, so no videos for a while. We may find a way to get around the inability to use sites like youtube, but just in case we can’t, here is an early warning as to why things will be quiet here.

Mashup of the feature film, Network (1976) featuring Peter Finch and the song, Cloud Progression by Re-Drum from their It’s better to Burn Out Than To Fade Away. Always loved this speech, works well with the music, and is as relevant today as it was 30 years ago.

Social Media Popularity vs Producing content for niches with passion

Social Media Popularity vs Producing content for niches with passion

After ten months on the road I’ve taken a well earned break to catch up on some editing. Well, the plan was to catch up on some editing, what I’ve actually found myself indulging in one of my favourite pastimes…research. I’ve finally had time to watch online videos, read books, study successful people and companies.


One author I’ve been reading quite a bit of is Malcolm Gladwell. He seems to be very clever at defining the Zeitgeist of our times by bringing together studies and statistics across various fields from psychology to epidemiology. I’ve also been studying marketing techniques and social media with the end aim of using my findings to continue making independent media for the travel and tourism industry.

So in this article, I wish to tie all this research together and discuss various ways in which independent media can use different advertising models and platforms to produce content.

To quote Numantra’s Why Social Media Doesn’t Work (and What You Can Do About It) “Advertising is a lot harder today then it ever was before. According to Planet Feedback’s “Consumer Trust in Advertising” report, fewer than half the people surveyed trust print ads or television commercials. Hardly a third of them trust what they hear on the radio. It’s even worse for direct mail and outdoor advertising. What’s the number one trusted source of advertising? Word of mouth!
That’s a huge game changer. Before, advertisers had to convince consumers to buy their product. Now, advertisers have to convince consumers to convince other consumers to buy their product. That is a much harder proposition. Imagine you had to sell your car but you couldn’t sell it directly to the buyer. Instead, you had to convince everyone to sell your car to their friends for you.”

So it is understandable that big corporations desire and require popularity on social networking sites. And let’s be honest, from twitter to Facebook, youtube to website rankings, money can buy popularity. Views, likes, subscribers, weblinks, all these things can be paid for. Which leads to a very important lesson for both media creators and advertiser, Never trust the numbers, trust the engagement!
And even with regard to the engagement, who is commenting, who is the audience? e.g. It always surprises me when reading travel blogs that a majority of comments come from other travel blog writers.

But maybe, as stated by Malcolm Gladwell in his book ‘Outliers’, success, whether in social media, or elsewhere, has always been a questionable measurement.

Why an advertising model for travel and tourism media production?

There are other models that I will mention, but given that I’m specifically working in the travel and tourism industry, I don’t think they are sustainable given the huge amount of free information available online.

Crowdfunding – Sites like Kickstarter have lead to the creation of many one off programs, but may not be suitable for long term media creation

Subscriber or DVD sales – I don’t really see anyone doing subscriber based media successfully, it just doesn’t seem to stick, even for Murdoch!

Media creators producing dvd’s or downloads on niche topics have managed to sustain audiences. But with regard to the travel and tourism industry, as mentioned, there is so much free marketing material available, promoting countries, regions, towns, trying to sell dvd’s or downloads would only garner a small audience, unless, once again, making content on niche travel like pilgrimage

Video Platforms and Types of Advertising

Given that the above study by Numantra states word of mouth is the best form of advertising, does it make sense to bombard people with ads such as is done on youtube? Is there a better way?

The other big player in online video is vimeo, of which I wasn’t a fan in the past because there seemed to be a divide between the ‘filmmakers’ of vimeo and the vloggers of youtube which I saw as quite pretentious. Personally I think anyone can make a ‘film’ which is nothing more than a series of lovely pictures set to music, getting an audience is an entirely different skill set!

But on my recent visit to vimeo I was surprised. I did some searches for areas of my interests and found KORDUROY.tv who through video how-to’s, short films, rants and interviews are creating a new platform for independent surf culture. Now they also got started with a kickstarter campaign and are continuing content production via sponsors and an online shop selling surf related products. All with minimal advertising, six second pre-roll ads at the start and mention of sponsors at the end. Five supporter companies who service the surf industry provide funding to keep Korduroy creating content.

Niches

When a production company does what Korduroy tv has done, and targets a particular niche, you can be assured all there audience surf or at least are interested in surfing. So keeping the advertising low-key is probably a wise move, as what you are really doing is providing a platform for like minds to enjoy their hobby, funded by business that survive from that hobby. Such a formula, if done well, would lead to organic sharing amongst the community, thus guaranteeing it’s success. The huge views of a youtube viral video….no! A highly targeted dedicated audience established over time with ongoing content, yes! Which one has longevity and audience loyalty?

So how can this example be used in the travel and tourism industry?

The travel and tourism industry is huge. Last year it contributed US$1,850 billion to global GDP and employs over 99 million people.

All types of niches can be developed from grey nomads to fishing. This is pretty easy to deduct, a little bit harder is how to get paid to make this content?

I think the most important thing is to not make content for advertisers! Sounds a little counterproductive, but the reality is, people hate ads, and a lot of those who watch online video do so because they want to escape the bombardment of the crap they find on tv. This is also the reason most travel programs are staid and uninspiring, they are basically platforms for destination marketing.

One production company that has realised this is Vice. They brand themselves as edgy, underground and independent and produce content popular with the 18-29 demographic.

The fact they are backed by youtube and CNN to the tune of millions of dollars doesn’t seem to undermine their street cred, yet! I like vice’s travel videos, but in the same breath, I would not call them independent. Being able to hand out wads of cash to locals wherever you go is not my idea of independent travel. This poor bugger is independent, trying to visit every country in the world without flying. But, the reality of who is paying the tab isn’t so important if you are producing content people want to watch.

Branded Content

And this is where the branded content advertising model can be used by independent producers to feature travel related content. Branded content, where the marketing is not “heavy handed” and is “almost a bi-product” is the most effective form of marketing according to a October 2010 report by the CMO Council.
Featuring items or locations in content people want to watch has already been adopted by television and I think it will be the way of the future for online travel content.

Tipping Point

To use another Malcolm Gladwell term, I think social media has reached a tipping point. When you can no longer trust what has climbed to the top of the pile on social media sites, you have to wonder how long it will take for people to pack up shop and find other places to play.

Youtube for example has become too big and too American-centric. Even this ‘titty’ video got more fews on vimeo than youtube, and youtube has always been about tits and cats! (After one month – 25,787 hits on Vimeo and 1,804 hits on YouTube.)

The epicentre of top youtube creators is Los Angeles and most of the recent ‘original channels’ funding stayed within the USA. The individual creator community that made the youtube vibe have been pushed to the edge of the mega city by large production studios (e.g. vice) and their pre-fabricated instant stars. I can understand why youtube has to make the move towards more professional content, but you would think providing support to already established partners would be more sensible than bringing in outside production companies!

My prediction is little villages (alternative websites) will be established around the edges, feeding niche communities with content made from within these communities. They may still use youtube, or for that matter vimeo, but they won’t be relying on ad revenue from youtube, in the same way travel bloggers don’t rely on ad revenue from google. The clever operators will be making their own ad deals, dealing directly with the industries that service their niches. And clever advertisers will see through the hype of the huge views of viral videos, and understand sustainable communities of passionate individuals means more than short term popularity.

So to sum up, what does this mean for content creators; Produce work you are passionate about and develop your own community destination (websites) and your own advertising deals with companies that service that community. And ensure they understand that understated advertising methods are the only methods that will work.

A history of online video, a look back at vlogging

A history of online video, a look back at vlogging

Overlander.tv just clocked 11 Million views on youtube! Pretty amazing really. But I suppose not as amazing as youtube’s stats themselves. Last year YouTube had more than 1 trillion views or almost 140 views for every person on Earth! At the moment more than one hour of video is uploaded to YouTube every second!

I got involved in video in the mid 1990’s, when digital video cameras introduced broadcast quality images at consumer prices. From the very start it was about telling stories and documenting my travels. My first trip being with my brother through the Aussie Outback. We had a simple effective plan of attack, visit the local pubs and find people to interview. Looking back on the clip below, it’s great to see a lot of my family involved. Dad as the farmer, Andrew and friend as sheepdogs, Stephen as the waiter.

I could see the potential of the internet early on and set up one of Australia’s first video sites in 2001. It was a little bit too early, with bandwith speeds meaning the video quality and image size wasn’t really conducive with a great viewing experience.

There were tricks I used to help give the appearance of online video, such as by using flash animation in the project below commissioned by the Australian Broadcasting Corporation in August 2003

I joined youtube in Feb 2006. Back then I was posting to blip.tv as they were hosting more professional content and youtube was more about bedroom vloggers, which at the time I saw as amateur. I remember the day I joined, youtube was getting a lot of press in the Australian media and I thought I’ve got to at least reserve the overlander channel name. In November 2006 google bought youtube for $1.65 Billion. I was made one of the first Australian youtube partners which meant I got a little bit of promotion, but at the time I derided the whole youtube vlogging genre. I didn’t see much skill in people sitting in their bedrooms ranting into a camera!

Boy how that has changed! I now understand how vlogging has changed the whole media landscape. Viewers now want to be engaged, they want honesty and opinion. Even though I didn’t like vlogging at the time, looking back, my most successful film, ‘The Way’, due to the circumstances of filming, was vlogging!. In ‘The Way’ I walked the Camino de Santiago, all 760 kms lugging 17 kilograms of camera gear. I wanted to be completely honest with what I felt along the way. What I found fascinating is how my struggle, my personal journey has resonated with viewers. And it seems the harder I did it, such as the day I said I was just sick of it all, the more people enjoyed it.

So my ideas on vlogging changed. I realised this raw personalized form of filmmaking could move people. So I started watching the innovators at the time Nalts and Ze Frank. I even gave it a go myself, trying to mimic the wide eyed machine gun delivery of Ze Frank.

Which brings me to where I am today. After more than 15 years producing videos I now want to get back to the rawest, most barebones productions I can make! I’ve been living on the road since July 2011 and I dont want to spend days editing ‘masterpieces’ I just want to capture some of the things I see while traveling, preferably with a local person as a guide, and just keep it really lo-fi and punk! And this has been a big leap, to unlearn, to put myself in front of the camera and see if I can master audio-visual storytelling as a presenter. The video below was my first attempt, walking and talking, one take, trying to engage.

With the advent of cheap DSLR cameras anyone now can capture amazing imagery. Anyone can now afford the tools to make films. And this is wonderful. But for me, I want to move away from bigger and brighter and better. I want to return to the essence of good filmmaking, a bloody good yarn, plain and simple!

What do you think, is a good story enough, or do viewers also expect fancy production values?

WALL OF AMAZING TRAVEL VIDEOS, THANKS TO BLINKX.COM!

I don’t pay enough attention to my blinkx channel, it’s like the well performing student the teacher leaves alone because they get the work done.

Blinkx, the world’s largest and most advanced video search engine performs just as well in ad revenue for overlander.tv as does youtube, and minus the hassles such as getting videos flagged.

So Blinkx, I promise to pay you more attention, to never mention youtube in a video again, and to understand that I make travel videos, not youtube travel videos. The space is always changing as are the players!

So you want to travel the world, the lessons learnt 9.5 mths in!

So you want to travel the world, the lessons learnt 9.5 mths in!

At the start of my round the world travel video adventure I made a video talking about the 7 things I wanted to achieve on my trip. 9.5 mths in I look back on what I have achieved. http://www.youtube.com/watch?v=6VgzCP2pE44

The seven goals were:
*To see the world
*To film the world
*To get paid to film the world
*To get fit
*To find a traveling partner
*To make a difference
*To find a home

And what have I learnt from my travels, to observe and not react, that my view of the word is determined by the way I was brought up and the culture I was raised in. And most importantly, ‘Without people you are nothing!’

Music: Lerax by Re-Drum, Album: It’s Better to Burn Out Than To Fade Away
Features quotes from:
The The – Slow Emotion Replay http://youtu.be/7epsKzky3aI
Joe Strummer – http://www.youtube.com/watch?v=VTNDPPb4224

IS YOUTUBE THE END OF CIVILISATION AS WE KNOW IT!

IS YOUTUBE THE END OF CIVILISATION AS WE KNOW IT!

With affordable cameras every one has become a photographer or filmmaker.

But I wonder, who watches all this stuff?

With one hour of video being loaded every second, I wonder if this is the end of civilisation as we know it. Will the aliens arrive in the future to an empty planet, and think, ‘this is where it all ended : information overload!”

I explain why I make videos and question whether I am just adding more noise to the most tedious of television programming, travel shows!

How to make Business Profile Videos – Youtube Playlist

How to make Business Profile Videos – Youtube Playlist

Mark Shea of Overlander.tv is currently traveling the world, producing travel videos and exploring ways to make money while on the road. With the help of a local Malaysian Video Producer, Raj Singh, he will devise a system that any video producer, anywhere in the world, can use to make money doing videos to promote business.

World Tourism Youtube Channel

World Tourism Youtube Channel

Round the World Travel Video Adventurer, Mark Shea, explains what he hopes to achieve with the World Tourism youtube channel. He wants to establish a location where viewers can view all the best tourism videos from around the world. Filmed at Perak Cave Buddhist Temple, Ipoh, Malaysia.

‘The place to view the best tourism videos the world has to offer’

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