The ‘ShoulderLander’ – Shoulder Support for a Canon XH-A1

November 22, 2007 in film making

Shoulderlander modeled by the OverlanderI have searched far and wide on the internet to find a shoulder support for my new XH-A1. I dislike hand-held cameras with no shoulder support. I tried finding one to purchase, but none allowed me to still connect to a tripod.

So I made my own, ‘The ShoulderLander’


The Shoulderlander prototype is made up of an aluminium bar about 35cm x 5cm, a bit of foam on the bottom, a hand made (longer) tripod bolt

My paglight C6 battery for my on camera light kit sits nicely above the shoulderlander as a counterweight, if needed. I just use two big elastic rubber bands to hold it on. Works a treat, but when attached, wont allow access to the battery apartment.

If I was to do another, I would probably use a 4cm wide piece of aluminium and have it maybe 3mm thick instead of 6mm. Then I could bend the end to fit around my shoulder if needed.

The hardest part of building this was making the tripod bolt. (1.4-20) as you can’t buy them from hardware stores.

I really can’t believe not one camera manufacturer (apart from Sony, who make the ridiculously priced VCTFXA) make a shoulder support THAT also allows connection to a tripod.

I’m new to these ‘handheld’ cams, and really believe if you are using them with manual settings, you need a 3rd arm (ie shoulder pad) so you are not getting ‘wobblyshot’ when you make adjustments.

Backpack Filmmaking Gear List

September 26, 2007 in Backpack Filmmaking, film making

Producing videos on the road requires the minimum of gear. When I travel I must carry all my gear myself. On the ‘El Camino’ in Spain, I walked 750km with 17 kilograms of gear. On my last trip overseas, I think I was lugging close to 30 Kilograms, including laptop.

Here is a list of my current backpack filmmaking kit:

I am currently using the Canon XH-A1. I like this camera because it has a 20x lens, a great optical stabilizer and despite it’s small size, has the same imaging sensor as the more expensive XL-H1.

xh-a1

For my style of filming, I like a camera that doesn’t look expensive and allows me to get candid ‘street shots’ without detection, verite style. I’ve looked at reviews of various HDV 1/3 chip cameras, and all are fairly similar in picture quality. For me the Canon wins out mainly on the strength of it’s class winning huge zoom.

I also use a hoodman for the LCD monitor, and my custom made shoulderlander, so I can rest the camera on my shoulder and get nice steady shots.

High Definition requires quite a bit of computer grunt, at least 2 GB of RAM. I’ve been a mac man since 1998, when Apple revolutionized video editing by bringing out the imac, the first computer built from the ground up to handle firewire loading of video footage. I have an Apple Mac Book Pro and edit with Final Cut Pro Studio.macbookpro

My travel kit also includes one shotgun microphone (Sennheiser ME 66), one lapel wireless mic (Sennheiser EW100 G2) and one lightweight tripod (Velbon CX-686)

This influences my filming style, I don’t have a proper fluid head tripod, so I tend to avoid pan (panoramic) shots, or do them from the shoulder.

The Sennheiser is a great mic, but stands out like dog’s balls, not something you always want to do when filming in the rough end of town! A smaller Rode mic may be more appropriate for those purchasing a new kit.

To the untrained eye, 1/3 chip mini dv or HDV cameras capture footage that looks the same as their more expensive 1/2 chip big brothers. But where they do fall down is in scenes of high contrast. To avoid this problem, I travel with a small light kit, the paglight C6.

Finally, one of my most important piece of kit I travel with is my old Akubra Cowboy Hat. Seriously, sometimes I believe wearing my Hat has saved me from being mugged, people don’t know how to take a guy traveling round the world in a huge hat! It gives me a crocodile hunter-like mystique.

Video Art

September 23, 2007 in film making, Internet Video, online video, Youtube

Some good news recently for Australian Video Artists….there is now such a thing as Video Art!

Recently a slo-mo five minute film of a guy skating at Bondi Beach, with a stormy sea as a backdrop, became the first video artwork to be auctioned in Australia. It was sold at Sotheby’s for $84,000. more info here and here

This is fantastic, video being recognised as an art form! I can assure you I will be trying my hand at this video art game, although, unlike the above artist, Shaun Gladwell, I haven’t spent years at University to become an Artist so may not be able to bluff my way into the art world!

I find the explanation of what the video represents by Peter Fay, who commissioned the piece, rather amusing:

‘it becomes almost a pointillist, almost an impressionist painting, as the blurring, still with this figure eternally circling almost like an angel or some celestial body ready to return to another void; to another planet; to another world.

And taking its leave in this last gyration, which just goes on, and on, and on. It’s quite mesmeric, quite simple in its dynamic, and yet the poetry and the intensity, and the sense of drama that is captured.’

I think I have found my own undiscovered artist, a homeless man living in Los Angeles.

Below is a video he made which I believe is true art, here is my attempt to ‘artspeak’ about the piece:

Marquis de Jolie, the poet laureate of the disenfranchised. His video piece ‘The Mad Turk’ encapsulates the artist’s struggle. The beat voiceover, recorded in the depths of the city’s underbelly, has a niggling alter ego, whispering sweet evils, ‘Give up, Give up!’.

The Giant Rat, a dream, the willowing footage, glimmering like a mirage. The improbable, moving further and further out of frame, juxtapositioning with the dragstrip analogies.
Desire and Chance….spinning out of reach.


The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.
Carl Jung (1875 – 1961)

StARTing

August 26, 2007 in film making

Video Editing

I have a mountain of video stories to edit, with the hope of having dvd’s available by Christmas. I have amazing stories from all over the world – Australia, Ireland, Spain and Vietnam.

For me editing has always been difficult. I really don’t think we were made to spend all day sitting alone in front of a computer.

First I believe one must prepare their body. For me I like to walk, particularly in nature. I try to get in a morning and after work walk. I also have a yoga mat in my room, and if my back gets stiff at all, I use it for stretching and strength exercises.

Working from home doesn’t always allow for much interaction with others, so I try and have an end of day reward, where I at least try and get out of the house! One can feel cut off from rest of society working from home, so I try and mirror the energy of the city, working the same 9-5 hours as everyone else.

How does one manage to start the act of creating, whether it be writing a book, or editing a film?

I believe there is so much unfounded mysticism surrounding the ‘art of creating art’ that for many adults, they are afraid to even try!

Notice I mention the word ‘adults’, because I think as children, creating art comes easy. Children enjoy the act of creating, and are not so worried with the meaning associated with the finished piece.

fire

I’m fascinated in the rituals artist’s perform before creating art.

Brazilian Author, Paulo Coelho won’t start writing a new book until a white feather appears before him.

Paulo always wanted to be a writer, but by the age of 40, had still not put pen to paper. In an act of desperation, he prayed to God, that if a white feather appeared before him, writing WAS his chosen path, and the time was right for him to start his first book.*

Hemmingway, when finding himself unable to write, would sit for hours in front of a fire, peeling oranges and squeezing the peel near the edge of the flame to cause sparkles of blue light. When asked by a visiting journalist why he was wasting his time, performing such a pointless activity, Hemmingway replied, “I’m preparing my soul to write, like a fisherman preparing his tackle before going out to sea. If I don’t do this, and think only the fish matter, I’ll never achieve anything.”*

I remember a filmmaking friend contacting me after watching some old footage he had filmed of his teenage daughter. The old footage made him realize how much his daughter had grown, and it hit him like a brick, how every moment is sacred, everything is special.

dancing

Sometimes I think we just have to sit down and start, with no expectations, no fears, and like children, just get lost in the moment of creation.

Whatever you can do or dream you can, begin it.
Boldness has genius, power and magic in it.
Begin it now.

Goethe

further reading:

Paulo Coelho

Earnest Hemmingway

Live!!

August 12, 2007 in film making

How as a filmmakergreen man

Do you achieve the ecstasy of performance

I’m currently listening to Pink Floyd, Pulse Live, the crowd’s energy, the live performance

How the hell do we mirror that as filmmakers?

Can we perform live?

Can we incorporate music, emotion, to make people move, feel?

Imagine a ‘live’ film festival

How can this be achieved?

If one can find the answer, we have found the greatest story telling medium

Imagine a software program that would allow one to edit ‘live’?

To ‘mix’ a story before an audience?

Have VJ’s got the answer?

The memoirs of the first VJ, Merrill Aldighieri


The Overlander’s ‘Backpack Filmmaking Secrets’

March 19, 2007 in film making


Over the weekend I loaded in some footage on a project I haven’t looked at for quite a while. A project I haven’t been able to bring myself to finish.

In 2004 I walked the ‘Way of Saint James’ in Spain. The journey was something I had planned to do ever since reading Paulo Coelho’s book, ‘The Pilgrimage’ two years earlier.

I was fascinated by the mysticism and history of the ‘El Camino’. Of particular interest was the fact many people who did the ‘Camino’ believed it was a life changing experience.

I wanted to explore this concept, and wished to document my own feelings and experiences as I journeyed along ‘The Ancient Way’ I wanted to try and be completely honest with what I was feeling, and I was…and maybe this is part of the reason why I have found it so hard to edit a version of my journey, to which I am happy with. The filmmaker stepped out from behind the camera, and became the subject. This was something I wasn’t used to.

I will soon be featuring short segments from my journey, in the order that it happened. The first days, cleanly shaven and unsure of what I was doing, in the latter part, wild eyed and unkempt, waxing lyrically about meditation and mother earth!

Thirty two days on the road, Eighteen Kilograms of gear on my back, Seven Hundred and Sixty Kilometres by foot. An amazing experience, and eight kilograms lighter at the end of it all!

First I’d like to feature a short segment that helps people understand how a one person crew manages to make a film about themselves.

All the shots of me merrily walking along, actually require a little bit of organising….as you will see in the clip above.

Donate

What is Backpack Filmmaking?

January 2, 2007 in About, Backpack Filmmaking, film making

bikeOverlander.tv is an ambitious project whereby Filmmaker Mark Shea will attempt to travel the world, alone, and film, edit and broadcast online, short mini docs, from different locales. Backpack Filmmaking is:

-lightweight broadcast quality gear that can fit in a backpack

-one person crew, one person doing it all. sourcing stories, conducting interviews, filming footage, editing stories and preparing for online screening.

-quick story turnaround, short and sweet educational portraits of people and places

-character based studies ‘meet the locals’, real people, real stories

-premise that the internet is the medium of the future, and that where possible, videos are offered free to all, with income generated by sponsorship, acquisition and advertising.

-projects edited ‘on the road’ using laptop computers

27 kilos on the back-totally independent, no censorship, but family friendly. Films must be genuine and honest, must not pander to advertisers, but please the viewer and use humor to laugh off difficulties.

- Work on the premise that, despite cultural differences, we are all one big family. We never insult or poke fun at those we interview, the joke is only ever on us, and we always search out the positive where possible.

-Honesty in filmmaking means a filmmaker must not be afraid to express their innermost feelings, fears and desires, regardless of ridicule.

-Strong focus on positive environmental stories around the globe

-Where possible use indigenous music and musicians for the soundtrack.

-Have a ‘lucky’ filmmaker’s Hat, the more ridiculous the better. A real icebreaker when meeting new people.